Is it sacrilege to declare that the best-looking cinématographe set in Paris was shot by a deux of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French numéraire – as well as the neoclassical edifices of Mussolini’s Rome – in cool Nostalgie and shards of light as sharp https://marketplace02456.blogpayz.com/32786462/sur-films